After seeing the drama “Bimbaka Sapana” a play written by Abhi Subedi, directed by Ghanasyam Shrestha and solely performed by theater artist Sushma Koirala in Theater Mall has been the attention of the issues of Buddha search of knowledge.The unnoticed topic for the world has been noticed in the mind of the writer and I felt very blessed myself to be audience of the play. He has portrait the pains and sufferings of woman inside the palace in Kapilvastu while Siddhartha Gautam went for the search of cause of pains and sufferings in the life. My heart went to the high of peak when I felt that writer has raise the hidden issues of woman and at the same time I was thinking about that really Budhha remained hero in the world but remained zero in his personal life. Also I was thinking that really Buddha was not female friendly and he made a victim to his own wife depriving from husband love and care. He was not a good father and not a good take career of family.
नाटक सम्बोधी हेरेपछि मनमा आएका भावनाहरु थिएटर मलमा यो मेरो पहिलो पटक हो । नाटक सम्बोधीले मलाई यस थिएटरको अनुभव लिने मौका जुरायो । यो काठमाडौं मलको सबै भन्दा माथिल्लो तल्लामा छ । हल चिटिक्कको लाग्यो । हलसँग पश्चिम तिर छ सानो लाइब्रेरी सहितको कित्ली क्याफे । क्याफेबाट धरहरा, स्वयम्भू आदि ठाउँहरु नियाल्न सकिन्छ । तबला, गितार आदिको संगीतबाट हल गुञ्जयमान थियो । नाटक सम्बोधीको घट्ना प्रति उत्सुक हुँदै तेर्सो लाइनको बीच तिर गएर बसेँ । नाटक सुरु भयो ।
30 Days in September हेरेपछी मैले पनि महशुस गरे म गलत थिईन । एउटा अनौठो उर्जा प्राप्त भयो र यो सम्म भन्ने आँट गरेकी माला मेरो बाल्यकालको प्रतिनिधी पात्र रहिछिन । जब म ८-९ वर्षकी थिए, बिदाको दिनमा दिउँसो कोहि नभएको मौकामा आफ्नो काका पर्नेको छोरा (नातामा मेरो दाई)ले मलाई पनि त्यसरी नै यौन शोषण गर्थ्यो । सायद मलाई त्यति बेला नै थाहा थियो यस्तो गर्नु नराम्रो काम हो । त्यसैले त बारम्बार पिडित हुदाँ पनि मैले न मेरी आमालाई यो कुरा व्यक्त गरे न हजुरआमालाई ।
I hate confrontations. I’ve always been of the kind who tries and wishes he could stay out of trouble. If it meant losing in on some of the finer things in life then I would consider the consequences. Obviously, it’s not always possible and when I have to I believe I could handle things, but my main objective is to avoid as much drama from the real time mode of my life as possible.
Beautifully choreographed and presented, the One World Theatre production of Federico Garcia Lorca’s Yerma was a pleasure to watch from beginning to end. It is an exceptional play as it is, and is rendered beautifully by director Bimal Subedi. The costumes and set design add to the impact of the play and encourage the actors to present their best acting. The actors do a great job, especially the female actors and particularly Namrata Shrestha, who brings Yerma to life through her wonderfully subtle performance.